In this scene of kill bill staring Uma Thurman, the scene starts of with the camera looking up from a worms eye view at the sword and at Uma who in the film is referred to as "the bride". At first only the sword is in focus and the light above and her face is out of focus slightly blurred but as she bends down to pick it up she also comes into focus. a few seconds later we can hear the non-diegetic sounds of the motorcycles erupting outside, this brings the scene alive as it indicates the action which is about to appear. when the first ninja is entering the building there is an extreme low-angle shot trakking behind him at his feet as he is running.
The mis-en-scene is presented in the scene where as soon as the fighting has began 12-seconds into it after she has just sliced one of the arms of the ninja's, she pulls out the eye of another within a mili-second, as soon as this happens the colour on screen turns black and white to the point where she is fighting her last battle with the group of ninjas. This could suggest that during the scene where it is black and white they have chosen to take out the colour due to the sickening sights of the grusome methods which she cuts of limbs of the men. As she is backing away there is an over-the-shoulder shot of the ninja's moving towards her, then there is an extreme close up of her eyes which at this point when she blinks the colour on screen returns.
A few seconds after this the power turns of and darkness falls in the room so they cannot see each other, the next fight is taken place in the dark, however there is exellent editing done here as the room is dark, there is a neon blue background for light and all charecters in the scene are blacked out against this background so we can only see their shadow figures as they fight, this emphasises every movement they make as it is highlighted.I think this use of editing was primarily done to give the audience another sense or view of the fighting. Diegetic sound through out the scene are of the swords and the screams coming from the ninja's.
the iconography presented here in this scene is the building tension and anticipation, then there is a sense of an adrenaline rush. this scene also captures suspense, and towards the end of the scene some light hearted humour, when she spanks one of the ninja's with the sword and tell him to go home to "his mother".
All the elements that the movie have used to produce this scene is quite important in how it affects the audience. the different lighting, sounds, camera movement are all what makes this scene one of the greatest fighting scenes of all time,it was ranked no12 in the the all time best fight scenes category, not only because it got the best out of kung-fu and appreciated the extent of how great this sporting is but also because of the exellent editing that went in to make it a brilliant scene. where else would you find a white women who's professionality is kung-fu and manages to defeat over 60- or so men.